By Hanul Bahm
On Thursday, June 8, Magnum Foundation presented Photography Expanded, a daylong presentation and panels on collaborative documentary practices.
By Hanul Bahm
On Thursday, June 8, Magnum Foundation presented Photography Expanded, a daylong presentation and panels on collaborative documentary practices.
By Charles Stephens
During the 1992 presidential primaries, Pat Buchanan, seeking the Republican Party's nomination, used an unauthorized clip from Tongues Untied to blast the National Endowment for the Arts and attack George H. W. Bush.
By Wendy Levy
On Monday, January 30, award-winning poet Kaveh Akbar posted poems on his Twitter account by poets from nations banned by the immigration block. Libya, Iran, Somalia, Sudan, Iraq, Syria, Yemen—incredible words of vision, hope, truth.
By Matt Gertz
The Corporation for Public Broadcasting (CPB) is pushing back on reported efforts by the Trump administration to privatize it, saying the proposal would have a “devastating effect” and that “the entire public media service would be severely debilitated.”
By Jason Wyman
“What are our desired futures?” Now, more than ever, this question seems critical to our country and our democracy. This election has brought to the light the significant divides in this country across age, geography, economic class, race, gender, and political ideology.
By Myah Overstreet
When I first began working on this project, to curate an inspiring collection of media created by youth in 2016, I didn’t know where to start—I didn’t know who to contact, what artists to recruit, or what kind of media I was really going for. The only thought that truly gave me inspiration was the thought, the vision, of living in a world transformed by art that young minds created, and how much I yearned to create this world.
NAMAC Executive Director Wendy Levy participated in REMAP: Detroit and was inspired by the conviction of the communities in the rooms, the fearless examination of the challenges, and the celebration of the arts, in the broadest view, as an engine for transformation.
By Renee Tajima-Peña
I once considered documentary to be a fallback for filmmakers of color who were shut out of the fiction universe. I was wrong. As it turns out, we may be more under-represented in nonfiction filmmaking. Sundance estimates the proportion of documentary directors of color screening at the festival to be around 15 percent. The Directors Guild of America estimates 82 percent of its narrative members are white males; it doesn't even bother to calculate documentarians.
By Yanqing Yang
Before joining NAMAC’s Creative Leadership Lab, I was building a cultural connection platform for young creative changemakers and thinking about how to build a system of collaboration.
By Sahar Driver
The impact producing space has grown dramatically in the last few years. People are catching on to the power that film has in affecting change around social issues. And as that awareness builds, issue-based funders have taken an increasing interest in using film to advance their goals.