By Peter Nicks
In 1988, Eddie Murphy stood on the stage at the Academy Awards to present the award for best picture. He began his introduction as one would expect—cracking a couple of jokes—but quickly changed course to scold Hollywood for its historical snubbing of African American actors.
By Keya Crenshaw
As a freelance creative (Theatremaker, Filmmaker, Placemaker, Image Consultant, Development Coordinator...), I know at first hand that steady opportunities do not often present themselves.
This essay is a conversation between Anselm Hook (Creative Technologist, former CTO of Meedan, Co-Founder of Maker Lab and Liminal AR in the Samsung Accelerator) and Wendy Levy, the Executive Director of the National Alliance for Media Arts and Culture.
By Mary T. An
I’ve been thinking a lot about stories we hear. And, more importantly, the stories we don’t hear.
By Casey Rae
Before the Internet, few outside of research or technical vocations had much concern with data. Now, as users and producers in an increasingly Internet-centric economy, we’re all swept up in the dataflood. All of this activity, individually and in the aggregate, contributes to the massive volume of data generated every day. Contextualizing all of this information and translating it for human comprehension is one of the key challenges of our time.
By Conor Risch
Like oxygen to fire, new generations of soldiers feed longstanding conflicts. It’s unlikely that young people who take up arms in places like Israel and Gaza, El Salvador, Afghanistan and the Congo actively choose to deny the humanity of their enemies. The cultures that raise them, and the history of the conflicts into which they step, cast enemies as “the other,” as people without decency or compassion or hopes and dreams, and it can be easy to avoid digging for alternate views.
