BY KAMAL SINCLAIR
In 2008 my life took a turn from the world of live performing arts and tangible visual arts to an increasingly more virtual engagement with arts and creativity.
BY KAMAL SINCLAIR
In 2008 my life took a turn from the world of live performing arts and tangible visual arts to an increasingly more virtual engagement with arts and creativity.
What are the models we could set up to build a more inclusive group of artists and field builders working in the creative virtual reality space? Over the summer, I’ve been interviewing makers and practitioners about this question.
Last year, we ran for President. (Kinda.) Now, Blights Out is running for Mayor! (Sort of!) While Blights Out isn’t planning a collective occupation of the Mayor’s office (yet), we are launching a year-long creative campaign called ‘Blights Out for Mayor’––a series of 12 billboards and 5 yard sign designs that call for and suggest entry points into a Truth and Reconciliation process that would redress the racist/classist/disaster capitalist policies and values imposed after Katrina. These messages seek to expand the horizon of our political imaginary, calling us to reevaluate our society’s relationship to property, land, and money. It is a call to action, a call to #PutHousingFirst.Click here to change this text
By Hanul Bahm
On Thursday, June 8, Magnum Foundation presented Photography Expanded, a daylong presentation and panels on collaborative documentary practices.
By Paula Bernstein
I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana.
By Charles Stephens
During the 1992 presidential primaries, Pat Buchanan, seeking the Republican Party's nomination, used an unauthorized clip from Tongues Untied to blast the National Endowment for the Arts and attack George H. W. Bush.
By Brittney Cooper
The Academy Awards did the best possible thing in the worst possible way last night, when it conferred Moonlight the Oscar for Best Picture.
By Myah Overstreet
When I first began working on this project, to curate an inspiring collection of media created by youth in 2016, I didn’t know where to start—I didn’t know who to contact, what artists to recruit, or what kind of media I was really going for. The only thought that truly gave me inspiration was the thought, the vision, of living in a world transformed by art that young minds created, and how much I yearned to create this world.