By Paula Bernstein
I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana.
By Paula Bernstein
I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana.
By Alexa Criscitiello
The overall assumption regarding an interest in the arts seems to be one of partisan politics. Its value is an often-debated topic in a divided nation whose idealistic chasm grows wider by the day.
By Wendy Levy
On Monday, January 30, award-winning poet Kaveh Akbar posted poems on his Twitter account by poets from nations banned by the immigration block. Libya, Iran, Somalia, Sudan, Iraq, Syria, Yemen—incredible words of vision, hope, truth.
By Anthony Kaufman
On November 12 of this year, Impact Partners executive director and documentary producer Dan Cogan wrote a powerful call to action on Facebook. “The last 4 days have been a horror. The next 4 years will be worse,” he wrote. “And yet my pulse is quickening, because there is so much to be done, and we, the documentary film community, are in pole position to make a huge difference.”
By Myah Overstreet
When I first began working on this project, to curate an inspiring collection of media created by youth in 2016, I didn’t know where to start—I didn’t know who to contact, what artists to recruit, or what kind of media I was really going for. The only thought that truly gave me inspiration was the thought, the vision, of living in a world transformed by art that young minds created, and how much I yearned to create this world.
NAMAC Executive Director Wendy Levy participated in REMAP: Detroit and was inspired by the conviction of the communities in the rooms, the fearless examination of the challenges, and the celebration of the arts, in the broadest view, as an engine for transformation.
By Renee Tajima-Peña
I once considered documentary to be a fallback for filmmakers of color who were shut out of the fiction universe. I was wrong. As it turns out, we may be more under-represented in nonfiction filmmaking. Sundance estimates the proportion of documentary directors of color screening at the festival to be around 15 percent. The Directors Guild of America estimates 82 percent of its narrative members are white males; it doesn't even bother to calculate documentarians.
Join us October 5-7, 2016 for ArtChangeUS REMAP: Detroit in partnership with the National Association of Latino Arts and Cultures' NALAC MI Latinx Art Summit, the Arab American National Museum, the Charles H. Wright Museum of African American History (The Wright), Complex Movements, and Creative Many.
By Wendy Levy
Dear Senator Loni Hancock,
I'm writing because "Media Arts” has been specifically excluded from consideration for new arts standards for California in AB 2862, which will delay its inclusion as a formal arts education discipline for at least another generation.
By Yanqing Yang
Before joining NAMAC’s Creative Leadership Lab, I was building a cultural connection platform for young creative changemakers and thinking about how to build a system of collaboration.