HATCHLAB GRANTEES 2018
A Place At The Table (working title)
Milena Velis with Cynthia Oka, T.C. Owens, Sheila Quintana and Jazmín Delgado – a collaboration between Media Mobilizing Project and New Sanctuary Movement
In December 2017 Carmela Hernandez and her four children took sanctuary at the Church of the Advocate, a predominantly Black church and organizing hub in Philadelphia, PA. Carmela has a pending deportation order to Mexico, and plans to live in sanctuary until she can stop her own deportation, making a public act of resistance against the criminalization of immigrants. A Place at the Table explores the relationships and community built by the people coming together to support and fight alongside Carmela and her family, and how working class Black and immigrant community members build relationships of solidarity and learn about each other’s realities, struggles, and dreams. Working collaboratively with Carmela and the New Sanctuary Movement, artists from Media Mobilizing Project will create short form documentary work focused on shared meals and the day-to-day realities of living together as a community. Inspired by the words of Rev. Dr. Rennee McKenzie: “We benefit ourselves when we stand for and with each other to fight for justice and a place at the table.”
The Stories of Strawberry Mansion
Keir Johnston with Ernel Martinez, Martha O’Connell, Chidi Asoluka
While Strawberry Mansion and Brewerytown are currently in a vice grip of speculative development and gentrification in Philadelphia, there are also new and important resources available to the neighborhood’s young people and families through vibrant community development programs. The collaborators on this project ask, “how do we ensure that the neighborhood residents are able to benefit from and access these new resources authentically, and have a say in what they are?”
The Stories of Strawberry Mansion is a collaboration between local art collective Amber Art & Design, with Fairmount Park Conservancy and The New Community Project. Through a process they call Story Exchange, the community-based artists are collecting stories from local residents, and sharing with each participant the story of one of their neighbors. They will host bi-monthly events and community dinners that will feature live storytelling, facilitating deeper connections in the neighborhood and building towards collective decision-making about how to spend the resources being allocated for local schools, parks and programs. The hope is to redefine and rewrite the relationships between the neighborhood and its institutions, creating a new support network based on participation, trust and collective voices.
Community Futurisms: Time & Memory in North Philly 002 (Progress Aerospace Enterprises)
Rasheedah Phillips with Camae Ayeva (Black Quantum Futurism Collective), Ras Mashramani (Metropolarity Scifi Collective), Danise Valentine, and Fair Housing Rights Center of Southeastern PA
In Philadelphia in the 1960’s, Rev. Leon H. Sullivan, a civil rights leader and minister at Philadelphia’s Zion Baptist Church, established Progress Aerospace Enterprises (PAE), the first Black-owned aerospace company. An innovator of its day, PAE had strong connections to the civil rights movement, affordable housing, economic stability in the Black community, passage of the Fair Housing Act, and the space race. Sullivan also founded the Zion Gardens affordable housing project and Progress Plaza. Community Futurisms is an ongoing collaborative art + research project exploring the impact of redevelopment, gentrification, and displacement within the North Philly neighborhood known as Sharswood. In this iteration, the collaborators will produce an interactive and participatory art exhibition based on this extraordinary legacy. The exhibition will feature the work of multiple local artists and storytellers, and will include writing, co-created zine production, collage art, film, soundscapes, and sculpture. The vision of Community Futurisms also includes oral history/oral futures interviews with surviving individuals from PAE, as well as a series of story workshops, affordable housing discussions, and collaborative art-making activities. https://www.blackquantumfuturism.com/community-futurisms
Re-imagining Migration 360
PhillyCAM, Brookline Interactive Group, and Gabriela Watson Aurazo,
As Philadelphia affirms its status as a sanctuary city committed to the safety of its immigrant residents, opportunities for those targeted communities to be heard and share their points of view are more needed than ever. Access to multilingual media content and training is a way that communities can tell their stories through their own means — promoting understanding and respect through cultural exchange. PhillyCAM’s Atrévete producers together with a diverse group of local immigrant artists will learn how to use 360 filmmaking to share their stories of migration in new, immersive ways. Audiences will interact with the work online and at live events. The narrative will explore a physical environment while interweaving elements of memory, dreams, aspirations, and struggle. PhillyCAM and Brookline Interactive Group want to use this project as a way to go beyond headlines to create intimate portraits of those most affected by the current administration’s position on immigration; from the story of a single dreamer facing possible deportation to a migration story that spans 3 generations. This project presents an opportunity for PhillyCAM to become a local leader in 360 storytelling to support others working in the non-profit and social enterprise field. They hope to create a template for a strong immersive news/content sharing network, engaged communities, training programs, and collaborative, community-based VR projects.
SPECIAL WRITING COMMISSIONS
The Native Gentrification Project
Nic will write about his concept of “native gentrification,” a modern-day example of W.E.B DuBois’ “double-consciousness theory.” Within the context of life in New Orleans, Nic is raising compelling questions about the complications of the African-American experience of gentrification and the layers of identity narratives emerging in popular culture.
Truth As Theatrical Fiction
Imani is pursuing an ongoing exploration of the meaning of truth in an age of fake news, alternative facts, and the resurgence of global fascism. This project brings to light a series of kaleidoscope conversations and interviews where participants share personal and social mythologies about truth, prejudice and politics. How might posing questions without answers reveal our deepest divides — and give us the visual language to heal?
The Alliance Innovation Studio provides a space to support the development of unique interactive digital media projects and other story-driven open source social justice tools and technologies that are designed to serve the field and foster new creative experiences and social impact in communities around the world.
Strategy, design, development, and prototyping in The Alliance Innovation Studio is customized and unique to each project. We bring together a team of creative and tech experts based on the needs of the project; the central requirement for inclusion in the Innovation Studio is a commitment to sharing out the development process with the the field and making the the project available for replication in diverse communities and contexts. We’re talking about publishing the code, sharing data and providing templates or toolkits for meaningful and effective adoption.