From the Executive Director

I have not done enough to honor Women’s History Month this year. I have not paid tribute to the individual women in my life that have changed the course of it. I plan to thank them, and my ancestors, before this month is over. The history we are living through feels like so many stories waiting to be told. We may feel silenced, our voices and bodies policed and violated, our futures replaced by the fake souls of the new AI machines, by corrupt leaders waging arbitrary wars and by former heroes revealed as violent predators. We will survive this — and the stories, the films, the songs, the performances, and the archives will all hold the truth of it. This is the work that has to be done.
Last week, I attended a gathering in my new neighborhood at the border of South Orange and Newark, NJ. Yoruba Richen’s extraordinarily powerful short film Free Joan Little was shown and Yoruba was there to talk to the crowd of neighbors, artists, activists, educators and community volunteers. The film tells the story of the 1975 murder trial of the first woman in U.S. history to be acquitted for using deadly force to resist sexual assault. At 20 years old, Joan Little was incarcerated in North Carolina when she killed a white jailer who she said tried to rape her. Her trial drew national attention, becoming a rallying point for civil rights, women’s rights and prison reform. The film passionately deploys archival footage and brings it to life so urgently, it feels like breaking news and we are rapt witnesses.
As readers of this eBulletin, many of you know that the work of the Alliance is building equity, access, abundance, and cultural impact for the media arts field. We work with nonprofits, creative agencies, studios, cultural organizations, and independent filmmakers all over the world to connect powerful stories into movements for change and justice. We connect emerging technologies, programs, and resources into communities so that creative workers can build sustainable, transformative careers and lives.
As always, now is a really good time to join the Alliance, GIVE to support the programs you love, check out the amazingness of the organizations and artists in the Alliance network, and say thank you to the women in your life who tend your spirit.
~ Wendy

Notes from the Field
Women’s Video Festival: A New Wave of Feminist Media Opens at Media Burn
Media Burn has announced the opening of its Women’s Video Festival Collection. This digital exhibition features work largely sourced from the collection of Women’s Video Festival co-founder Susan Milano. The collection focuses on women media artists and documentarians working during a renaissance in the field following the increased availability of video technology in the early 1970s. Featured artists include Susan Milano, Julie Gustafson, Nancy Cain, Louise Denver, Jane Aaron, Christine Noschese, and Eleanor Boyer, with many works made publicly available for the first time.
H2O (Hip-Hop Odyssey) Community Day & Archiving Lab at Maysles Documentary Center
This Saturday, March 28th, from 1 to 6 PM, the Maysles Documentary Center in Harlem, New York will host the H2O (Hip-Hop Odyssey) Community Day & Archiving Lab. The lab features film screenings, artist talks, archival activities, and workshops. Attendees are invited to bring their own physical media to digitize. The event is presented in partnership with Caribbean Cultural Center African Diaspora Institute, Third World Newsreel, and The Alliance for Media Arts + Culture.

Grants and Calls
Creative Capital Award
Individual artists seeking funding for new artistic works across a range of disciplines can apply for the Creative Capital Award and State of the Art Prize. These grants support work in visual arts, performing arts, film, and literature. Creative Capital Award recipients receive unrestricted funding of $15,000 to $50,000. State of the Art Prize recipients, selected from the same applicant pool, receive $10,000.
Deadline: April 2nd
Berkeley Film Foundation Documentary Grant
Independent filmmakers based in the East Bay can apply for project grants through the Berkeley Film Foundation’s Documentary Grant Program. The foundation supports locally produced films, with grants ranging from $5,000 to $25,000 for projects in development or production. Applicants must be residents of Richmond, El Cerrito, Berkeley, Emeryville, Oakland, or Alameda, and projects should have a connection to the filmmakers’ community.Â
Deadline: April 13th
Chicken & Egg (Egg)celerator Lab
Women and gender-expansive filmmakers working on their first or second feature-length documentary can apply to the (Egg)celerator Lab, a year-long program supporting documentary projects in production. Selected filmmakers receive a $40,000 grant, along with mentorship, industry connections, and creative retreats.Â
Deadline: April 29th

Workshops, Festivals, Convenings
Miami Film Festival, April 9th – 19th, Miami, FL
Wisconsin Film Festival, April 9th – 16th, Madison, WI
Florida Film Festival, April 10th – 19th, Maitland, FL
RiverRun International Film Festival, April 16th – 24th, Winston-Salem, NC
San Francisco International Film Festival, April 24th – May 4th, San Francisco, CA
Dallas International Film Festival, April 23rd – April 30th, Dallas, TX

Media Policy Watch
The Defense Department’s attempts to exercise control over journalists expanded this month with the issuance of a memo restricting reporting by the military publication Stars and Stripes. The memo follows January comments from Pentagon spokesman Sean Parnell, who characterized the publication’s coverage as “woke distractions that siphon morale” in a post on X. It contains new requirements prohibiting the use of wire services such as the Associated Press or Reuters and requiring that all content uphold “good order and discipline.” While the memo also states the publication will retain editorial independence, these restrictions may narrow the scope of reporting available to deployed military members.
This month, Federal Communications Commission Chairman Brendan Carr warned that broadcasters’ licenses could be at risk if coverage of the war in Iran is deemed not to serve the “public interest.” The remarks echo statements from former President Donald Trump, who described such coverage as “hoaxes” and “fake news” and suggested licenses should not be renewed unless outlets “correct course.” While critics have described the remarks as an attempt to exert control over how broadcasters cover the war in Iran, they note that the threats are likely unenforceable. FCC Commissioner Anna Gomez told CNN, “Such threats violate the First Amendment and will go nowhere. Broadcasters should continue covering the news, fiercely and independently, without fear of government pressure.”

Job Bank
Director of Development, The Cape Playhouse, Dennis, MA
Vice President of Development, Film at Lincoln Center, New York, NY
Director of Development, Eugene O’Neill Theater Center, Waterford, CT
Archivist, Art21, New York, NY
