By KAMAL SINCLAIR
Emerging media cannot risk limited inclusion and suffer the same pitfalls of traditional media. The stakes are too high. Together, we must engineer robust inclusion into the process of imagining our future.
By KAMAL SINCLAIR
Emerging media cannot risk limited inclusion and suffer the same pitfalls of traditional media. The stakes are too high. Together, we must engineer robust inclusion into the process of imagining our future.
By Arbo Radiko
There was this moment, sitting in the small cozy recording studio at BRIC Arts Media in Brooklyn with visionary artist/activists Martha Redbone and Jaishri Abichandani and my co-collaborator, mastering engineer/archivist Jessica Thompson, when all things felt possible.
BY KAMAL SINCLAIR
In 2008 my life took a turn from the world of live performing arts and tangible visual arts to an increasingly more virtual engagement with arts and creativity.
What are the models we could set up to build a more inclusive group of artists and field builders working in the creative virtual reality space? Over the summer, I’ve been interviewing makers and practitioners about this question.
Last year, we ran for President. (Kinda.) Now, Blights Out is running for Mayor! (Sort of!) While Blights Out isn’t planning a collective occupation of the Mayor’s office (yet), we are launching a year-long creative campaign called ‘Blights Out for Mayor’––a series of 12 billboards and 5 yard sign designs that call for and suggest entry points into a Truth and Reconciliation process that would redress the racist/classist/disaster capitalist policies and values imposed after Katrina. These messages seek to expand the horizon of our political imaginary, calling us to reevaluate our society’s relationship to property, land, and money. It is a call to action, a call to #PutHousingFirst.Click here to change this text
By Hanul Bahm
On Thursday, June 8, Magnum Foundation presented Photography Expanded, a daylong presentation and panels on collaborative documentary practices.
By Darren Walker
Good evening, everyone. Thank you, Thelma Golden, for your gracious introduction—and, more importantly, for your groundbreaking, visionary leadership at the Studio Museum in Harlem. And thank you, all, for this extraordinary honor: the privilege of delivering this 30th annual lecture in tribute to the incomparable Nancy Hanks.
By Paula Bernstein
I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana.
By Alexa Criscitiello
The overall assumption regarding an interest in the arts seems to be one of partisan politics. Its value is an often-debated topic in a divided nation whose idealistic chasm grows wider by the day.
By Wendy Levy
On Monday, January 30, award-winning poet Kaveh Akbar posted poems on his Twitter account by poets from nations banned by the immigration block. Libya, Iran, Somalia, Sudan, Iraq, Syria, Yemen—incredible words of vision, hope, truth.